The blogosphere is buzzing with news that there's no news at Dior. More to the point, it seems that talks between Marc Jacobs and LVMH have stalled. Something to do with his wanting to take the Loius Vuitton team to Dior leaving that house without a floor or a roof. Considering his likely demands for a huge paycheck and the prospect of no engine for that fancy car (LV) Monsieur Arnault is between a rock and a hard place. If in fact Phoebe Philo is happy to sit tight and Riccardo Tisci is satisfied to slowly and carefully turn Givenchy into a wholly irrelevant collection that leaves the track wide open for any number of comers. This is where it gets interesting.
The idea that Bernard Arnault is deepening talks with Alexander Wang, Raf Simons and Jason Wu among others should be a nudge to others to throw in their hats for consideration. Raf Simons is a very compelling consideration if you want to push a modernist's view. Personally, I find it very interesting. The history and DNA of the house has always been about the forward movement of a romantic aesthetic. Certainly, YSL took the house forward breaking new ground with each successive collection. Had it not been for his conscription and eventual breakdown and untimely dismissal the house would have likely gone the way of his eponymous collection. He tore through conventions and layed the paving stones for a truly modern woman. Modern Romanticism is the hybrid he developed. Jason Wu is is perhaps adept at a portion of that equation but not, I fear, capable of any real contribution. That picture would likely be ersatz "Jolie Madame-style" at worst and arch posturing at best. Alexander Wang doesn't register on that radar at all. Plus, I think he's truly happy making play clothes.
So, where does that leave us? There are still other likely suspects who could do interesting things there but the murmurings are so hushed it seems almost as though the question remains an open one. There's no reason for anyone to be shy about this. The market is screaming for someone to take a chance. Risk is something that we face on a moment to moment basis. Fear of failure should be left in your chest of drawers. Surely, there are great imaginations out there just aching for the chance to do something great. The Golden Age of design has given way to a New Age, one that is impatient and filled with nerve. I'm hopeful that something strange and wonderful is waiting in the wings. Here's hoping that the big guys in charge choose talent over talk. We'll just have to wait and see.
Yves Carcelle’s Legacy
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