At the show’s opening, an army
of models, all dressed in white, stood black light lit creating a
space-aged electric green glow. Obviously, Alexander Wang was
taking us on a trip to his own parallel universe. Gone were the
downtown hipster T shits and leggings of yesteryear and in marched a
vision of a new galaxy of COOL.
Black, white, sand and silver were the
sum total of his palette. Cantilevered leather jackets over crisp white
shirts were paired with python skirts using the same floating panel
technique. As delicate as these pieces appeared it was clear that they
would withstand wear beyond the runway. Hand knit sweaters, one of his
trademarks were unexpectedly sexy by way of large cutouts at the sides
and peek-a-boo openings at the chest and torso. These sweaters were
paired with faux croc skirts made up of individual scales attached to
the others by way of invisible threads, like puzzle pieces not quite
fitted into place. It was a bravura example of his imagination and
technical skill.
Some of the most memorable pieces came
near the end in shift dresses that were divided into planes covering the
bust, parts of the torso and divided horizontally from hips to hem.
Whether by means of fishing line or as appliqués on an invisible scrim
of net, the dresses looked to be held together by his sheer force of
will and vision. The show was a huge departure from his recent work and
one of the clear standouts of the season. The negative spaces, namely
the body beneath, were as artfully displayed as were the garments
themselves. Alexander Wang’s spring 2013 collection was a very exciting
and inspired New York moment.