Anonymous comrade writes:
ACL x RIVAY
5 months ago



#28 and #29 were beautiful jersey dresses with just enough twist to make them great and clearly Costa , but a roughly woven windowpane dress and suit with the asymmetric collar even looked like Rucci. The point that I make here is that these high tech fabrics for the most part are not people friendly. They wear you not the other way around. They are sharp ,hard and unyielding. The shoulders, elliptically shaped hips and bodies do not move with the body. they revolt against movement. They are at their best when viewed standing still. That isn't how I see clothes functioning on living, breathing people.
should spend her fortune on art and shop like a maniac( which she does) and leave the heavy lifting to others. It's ok to have style and lots of cash, to also have a very successful bridal business, but designing fashion is altogether different.

ous. Still some nice clothes, styling that was really the secret and grand in scale. That for me is not enough.
It was a highpoint in this plodding week.
laurels. He is the modernist, along with Francisco Costa and Isabel Toledo, but he's the coolest. This season was uninspired with a few exceptions. Those exceptions( I've included the most glaring one) are interesting because they appear to be expressions of humor, but with a sure hand and a real beauty. It looks like the studied mathematical spareness of the body of the collection gave him a bit of a headache, so he had some fun. Graphic , bold eye catching fun. And I LOVED IT!. Would love to put it on a mannequin and display it as art. He is a sharpshooter like some others mentioned this morning and thank God we have these talents to look forward to in a sea of bottom feeding carp.



ay, just static clothes in the hobo style. This , that and the kitchen sink. Uninteresting self conscious coolness that was the furthest thing from cool. Hasn't he learned anything at Blass or in his own atelier. A perfect example of ego having gone unchecked. Some designers feel that they must show and that their clothes are runway worthy because they've shown many times before. You must look with an objective eye and be your own toughest critic. This collection looks as though no one said anything but ,"YES". I say ,"Not this time...".
ushing. In a situation like that , I think he should have done less and what was done should be done perfectly. To big a hurdle in too short a time. You are allowed to walk before you run. In this case , learn to balance standing still before taking steps . People would appreciate it much more . I would have. His pony was jumping a fence that is suitable for a better schooled and more experienced horse. He has obvious talent, as this dress clearly shows. This was by far the loveliest in all 36....this was #30. I'll even be so obnoxious to say that this would have been a much lovelier, alluring and sexy choice for the Inaugural ball, but that's 20/20 hindsight. No overnight wonders have ever been born in this business. They've all paid their dues. He's no different.
could neither enter or see clothes barely visible over the heads of the unruly crowd. What I did see was more of the same. No news. Well actually the news was they can effectively reproduce the same dress about 12 times with slightly different colors and toss in about 4 suits. So there you have it : 16 looks that look like 2.
aged an elegant presentation, only it wasn't really hers.It referenced other more memorable collections from last season....mostly Stefano Pilatti's for YSL, but even that is a stretch. These were not horrible clothes, just lifeless and ultimately useless. Some unusual cuts gave one or 2 of the cocktails and gowns some interest, but there was a lack of quality in her choices of fabrics. This dress with lace overlay is a case in point. It looks like inexpensive machine made lace from China. Cheap looking fabrics in awkward proportions do not a collection of NOTE make. It was a lovely staging...more elegant than most of the others, it just would have been nice had it been her voice we heard..... More an inexpert Lip Sync.
I wake up a little early and jump on my Mac to go for a spin. My morning exercise. Before I get far , assuming I've slept in and it's 10:30, I hear a stirring upstairs. I start writing or reading a bit faster because the beast is stirring. This is my cue to head for the coffee maker and whip up a nice strong Latte with Half and Half and 2 Splendas. The footsteps overhead are starting to shuffle at a slightly quicker pace. This can only mean one thing: the door will open and the day will assume it's new shape. What was me and my Mac will shift to WE. Like every morning for as long as I can remember I'll hear,"Guten Tag". A big sleepy smile from my lanky sleepy mate will shine down from above . The New York Times rests on the gravel at the foot of the driveway. One or the other of us will stumble down to grab it . The coffees are nice and warm, the day is ours to do with as we please. If nothing gets done and we just lounge around , it's one of the most satisfying days of the week.
consensus in the imaginations of many design houses. From artful , even humorous offerings from say Dolce and Gabbana to a more somber and sensitive offering from Bottega Veneta, Burberry Prorsum and Jil Sander. We are looking fort comfort in a cold and threatening climate. I don't think that the fact that it's a fall season or spring, the end result would most likely have been the same. It comes down to a reality check, a correction of sorts. Men will probably look and dress the way they feel:seeking security. The Teddy Bear Effect.

WORLD RECORD FOR THE MOST VALUABLE PRIVATE COLLECTION
SOLD AT AUCTION
RECORD FOR MOST VALUABLE AUCTION IN EUROPE
Top Lot, Les coucous, tapis bleu et rose, 1911 by Henri Matisse, sells for
€35.9 million / £31.9 million / $46.4 million, a world auction record for the artist
7 WORLD RECORDS FOR ARTISTS AT AUCTION
8 Works of art sell above €5 million
25 Works of art sell above €1 million
3 works pre-empted by museums (Musee d’Orsay – Centre Pompidou)
Paris – At tonight’s inaugural session of the sale of the Collection of Yves Saint Laurent and
Pierre BergĂ©, offered by Christie’s in association with Pierre BergĂ© & Associates auctioneers,
one of the most significant collections of Impressionist and Modern art in private hands today
fell under the hammer under the glass domed roof of the Grand Palais. In the presence of
over 1200 collectors from all over the world, 59 works of Impressionist and Modern Art sold for
a total of €206 million / £183 million / $266 million, a world record for a private collection
at auction and a record for the most valuable auction in Europe. The top lot of the evening
was Les coucous, tapis bleu et rose, 1911 by Henri Matisse, which sold for €35.9 million / £31.9
million / $46.4 million, the highest price ever achieved for a work by the artist at auction,
and 8 works of art sold for over €5 million. 25 works of art sold for over €1 million (24 lots
for over £1 million / 25 lots over $1 million). Buyer activity at the auction (by lot / by
origin) was 70% Europe and 30% Americas and 7 world records were set for artists at
auction, including Matisse, Brancusi, Mondrian, De Chirico, Duchamp, Klee and Ensor.
very exciting sale - go to christies.com to see it all
February 24, 2009 9:20 PM